The Round House Theatre in Maryland has been known for its first rate productions and one of them is the DC-area premier of Austin Pendelton's critically-acclaimed Off-Broadway hit "Orson's Shadow" which I saw last week. Brilliantly directed by Round House Artistic Director Emeritus Jerry Whiddon, it is a deliciously witty and intelligent fictional account of real events that re-imagines the high drama accompanying a 1960 production of Ionesco's "Rhinoceros".
The principal characters involve are
larger-than-life film and Stage luminaries Orson Welles, Sir Laurence Olivier
and wife Vivien Leigh and esteemed British theater critic Kenneth Tynan. The
real drama occurs backstage when oversize egos, jealousy and a love triangle
result in a clash of acting titans.
Set in 1960, Orson Welles(Wilbur Edwin
Harry), considered twenty years ago a genius in Hollywood for his masterpiece
“Citizen Kane”, is now a near has-been playing Falstaff to empty houses in
Dublin. His friend, Kenneth Tynan, enters the picture to convince Welles to
direct Laurence Olivier(Anthony Newfield) in a production of Ionesco’s
“Rhinoceros” at London’s National Theater. Kenneth Tynan has an ulterior
motive- he hopes that Olivier will hire him as director of the National
Theater. Both Welles and Olivier are very much against the idea but agree
to do it as it could revitalize their fading careers in Hollywood and for
Welles to get money for his next project, “Chimes at Midnight.”
Joan Plowright(Connan Morrissey) also
manages to convince them both to do the play. Plowright is Olivier’s co-star in
“Rhinoceros” and who happens to be his girlfriend at the time while still
married to mentally unstable actress Vivien Leigh, but due to his deep love for
Leigh, Olivier doesn’t want to leave her. From the start of rehearsals,
problems immediately occur as Welles and Olivier engage in a game of
one-upmanship. Moreover, tempers flaring and the actors’ ego contributes to
closing production altogether.
“Orson’s Shadow” has an exceptional cast.
Wilber Edwin Henry and Anthony Newfield give masterful portrayals of
Orson Welles and Sir Lawrence Olivier, respectively. Round House Theatre
Associate Artist Kathryn Kelley is absolutely riveting as Vivien Leigh, she
infuses her role with humor and pathos. Signature Theatre stalwart Will
Garstshore, mostly known for his musical theater roles, is superb as theater
critic Kenneth Tynan. Connan Morrisey gives a fine peformance as Joan
Plowright.
Playwright Austin Pendelton successfully
creates well-rounded portraits of these larger-than-life icons. At age 26,
Orson Welles was already considered a genius for his unforgettable 1941
masterpiece “Citizen Kane.” But his unwillingness to compromise with the
studios led to his departure from Hollywood. Sir Olivier, highly regarded as
one of the greatest actors of the film and stage. Already a success on the
London stage, he rose to film stardom in
1939’s “Wuthering Heights.” He was also famous for his
Shakesperean roles, notably 1948’s “Hamlet” which he directed, produced and
starred in, and brought him a best actor Oscar. Vivien Leigh is best
remembered for her iconic role of Scarlett O’Hara in “Gone With The Wind” for
which she won the best actress Oscar.
There are more upcoming productions from
Round House Theatre. On April 4- 29 is “Crime And Punishment,” the
new award-winning adaptation of Fyodor Dostoyevsky’s literary masterpiece that
took Chicago by storm in 2004. On May 30 comes the premiere of the
musical adaptation of the 1971 film “Summer Of ‘42" with book by Hunter
Foster.
Round House Theatre- 4545 East-West
Highway Bethesda, Md. 20814 Tel. 240- 644-1300 or visit
www.roundhousetheatre.org.